Tags: meiko kaji

mudwerks:

(via Marilyn Conover Interview; Part 2 - Today’s Inspiration)

1960s story art by Bernie Fuchs
magicalnaturetour:

Portochristo Bay (by *Light Painting*)

magicalnaturetour:

Portochristo Bay (by *Light Painting*)

(via milay6)

(Source: tippysdemise)

womeninthewindow:

Bullitt (Peter Yates, 1968)

womeninthewindow:

Bullitt (Peter Yates, 1968)

20th-century-man:

Ursula Andress

20th-century-man:

Ursula Andress

bagnostian:

"now don’t be a cry baby when there’s wood in the shed"
greenwich village, nyc.
(Fuji X100)

bagnostian:

"now don’t be a cry baby when there’s wood in the shed"

greenwich village, nyc.

(Fuji X100)

(via somuchundone)

convenientfictions:

It is, perhaps, indicative of the bias of our intensely technological and, therefore, narcotic culture that we have long interpreted the Narcissus story to mean that he fell in love with himself, that he imagined the reflection to be Narcissus!
Text: Marshall McLuhan, Understanding Media … Image: Dennis Hopper, The Last Movie

convenientfictions:

It is, perhaps, indicative of the bias of our intensely technological and, therefore, narcotic culture that we have long interpreted the Narcissus story to mean that he fell in love with himself, that he imagined the reflection to be Narcissus!

Text: Marshall McLuhan, Understanding Media … Image: Dennis Hopper, The Last Movie

(via ikaristwin)

an-occasional-dream:

Bjorn Andresen and Dirk Bogarde by Thomas Patrick John Anson, on the set of Death in Venice by Luchino Visconti 

an-occasional-dream:

Bjorn Andresen and Dirk Bogarde by Thomas Patrick John Anson, on the set of Death in Venice by Luchino Visconti 

(via lottereinigerforever)